Editors' Choice
The editors of the Cambridge Quarterly have selected their choice articles from recent issues. Click through to read the articles online for FREE.
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Editor's Choice
‘What Does a Socialist Woman Do?’ Birth Control and the Body Politic in Naomi Mitchison’s We Have Been Warned
Mara Dougall
The Cambridge Quarterly, Volume 50, Issue 1, March 2021, Pages 18–37, https://doi.org/10.1093/camqtly/bfab003
Editor's Choice
Rossetti’s Giorgione and the Victorian ‘Cult of Vagueness’
Fergus McGhee
The Cambridge Quarterly, Volume 50, Issue 3, September 2021, Pages 279–295, https://doi.org/10.1093/camqtly/bfab008
Editor's Choice
E.M. Forster and the Character of ‘Character’
Laura Marcus
The Cambridge Quarterly, Volume 50, Issue 2, June 2021, Pages 159–172, https://doi.org/10.1093/camqtly/bfab018
Editor's Choice
Christina Rossetti’s Apocalypse: Rhythm and Deferral in The Face of the Deep
Lucy Sixsmith
The Cambridge Quarterly, Volume 49, Issue 4, December 2020, Pages 357–371, https://doi.org/10.1093/camqtly/bfaa028
Editor's Choice
Materials of African Futures
Christine Okoth
The Cambridge Quarterly, Volume 49, Issue 3, September 2020, Pages 271–294, https://doi.org/10.1093/camqtly/bfaa014
Editor's Choice
‘I Don’t Know Anything About Art’: An Interview with Ali Smith
Freya Wooding
The Cambridge Quarterly, Volume 49, Issue 2, June 2020, Pages 142–155, https://doi.org/10.1093/camqtly/bfaa008
Editor's Choice
Moving Words: Enargeia in Early Modern Devotions
Sophie Read
The Cambridge Quarterly, Volume 49, Issue 1, March 2020, Pages 33–54, https://doi.org/10.1093/camqtly/bfz034
Editor's Choice
‘Now Let Us Sport Us While We May’: First Person Plural and the Lyric Voice
Eileen Sperry
The Cambridge Quarterly, Volume 48, Issue 3, September 2019, Pages 197–212, https://doi.org/10.1093/camqtly/bfz016
Editor's Choice
Beethoven and Shakespeare: Ghosts and Heroes
David Roberts
The Cambridge Quarterly, Volume 48, Issue 2, June 2019, Pages 95–112, https://doi.org/10.1093/camqtly/bfz001
Editor's Choice
Bharati Mukherjee and the Politics of the Anthology
Ruth Maxey
The Cambridge Quarterly, Volume 48, Issue 1, March 2019, Pages 33–49, https://doi.org/10.1093/camqtly/bfy037
Editor's Choice
The Empty Centre of Conrad's Nostromo: A New Economic Approach
Claire Wilkinson
The Cambridge Quarterly, Volume 47, Issue 3, September 2018, Pages 201–221, https://doi.org/10.1093/camqtly/bfy018
Editor's Choice
Imagining a Literary Life: Dryden dwells among the Moderns and the Ancients
Steven N Zwicker
The Cambridge Quarterly, Volume 47, Issue 2, June 2018, Pages 99–115, https://doi.org/10.1093/camqtly/bfx041
Editor's Choice
Flaubert’s Crime
Geoffrey Wall
The Cambridge Quarterly, Volume 47, Issue 1, March 2018, Pages 2–16, https://doi.org/10.1093/camqtly/bfx042
Editor's Choice
‘Different Trains’: Denise Levertov, Adolf Eichmann and Moral Blindness
Alan Marshall
The Cambridge Quarterly, Volume 46, Issue 4, December 2017, Pages 344–363, https://doi.org/10.1093/camqtly/bfx030
Editor's Choice
‘A world of ruins’: Tragedy and Henry James’s The Portrait of a Lady
Joel Diggory
The Cambridge Quarterly, Volume 46, Issue 3, September 2017, Pages 207–228, https://doi.org/10.1093/camqtly/bfx011
Editor's Choice
In Search of Bunny Burgess, or Down the Rabbit Hole: Anecdotes, Secret Histories, and The Great Gatsby
Sarah Churchwell
The Cambridge Quarterly, Volume 46, Issue 2, June 2017, Pages 140–161, https://doi.org/10.1093/camqtly/bfx006
Editor's Choice
Composite Ghosts: A ‘Doubleeyed’ Reading of Thomas Hardy’s The Well-Beloved
Holly Corfield Carr
The Cambridge Quarterly, Volume 46, Issue 1, March 2017, Pages 1–20, https://doi.org/10.1093/camqtly/bfw038
Editor's Choice
‘Music is feeling, then, not sound’: Rhyme in the Development of
Wallace Stevens
Jack Baker
The Cambridge Quarterly, Volume 45, Issue 4, December 2016, Pages 299–322, https://doi.org/10.1093/camqtly/bfw022
Editor's Choice
Shape-Shifters, Charlatans, and Frauds: Vladimir Nabokov's Confidence Men
Barbara Wyllie
The Cambridge Quarterly, Volume 45, Issue 1, March 2016, Pages 1–19, https://doi.org/10.1093/camqtly/bfv032
Editor's Choice
Somerset Maugham's Ethically Earnest Fiction
Don Adams
The Cambridge Quarterly, Volume 45, Issue 1, March 2016, Pages 42–67, https://doi.org/10.1093/camqtly/bfv039
Editor's Choice
Sex, Lies, and Poetry: The Ballad of Reading Gaol
Peter Robinson
The Cambridge Quarterly, Volume 44, Issue 4, December 2015, Pages 299–320, https://doi.org/10.1093/camqtly/bfv024
Editor's Choice
Poetry, Hunger, and Electric Lights: Lessons from Iceland on Poetry and its Audience
Sarah M. Brownsberger
The Cambridge Quarterly, Volume 44, Issue 3, September 2015, Pages 202–212, https://doi.org/10.1093/camqtly/bfv008
Editor's Choice
The Princess and the Bee
Jane Wright
The Cambridge Quarterly, Volume 44, Issue 3, September 2015, Pages 251–273, https://doi.org/10.1093/camqtly/bfv016
Editor's Choice
The Stephen Inheritance: Virginia Woolf and the Burden of the Arnoldian Critic
Eleanor McNees
The Cambridge Quarterly, Volume 44, Issue 2, June 2015, Pages 119–145, https://doi.org/10.1093/camqtly/bfv012
Editor's Choice
Moonlight Sonata: Larkin and the Shakespeare Prize
Richard Wilson
The Cambridge Quarterly, Volume 44, Issue 1, March 2015, Pages 1–24, https://doi.org/10.1093/camqtly/bfu035
Editor's Choice
On Reading and Re-reading Patrick White
John Barnes
The Cambridge Quarterly, Volume 43, Issue 3, September 2014, Pages 212–230, https://doi.org/10.1093/camqtly/bfu014
Editor's Choice
Arthur Quiller-Couch, Taste Formation and the New Reading Public
Alexandra Lawrie
The Cambridge Quarterly, Volume 43, Issue 3, September 2014, Pages 195–211, https://doi.org/10.1093/camqtly/bfu010
Editor's Choice
Defining Moments in Anna Karenina
R. L. P. Jackson
The Cambridge Quarterly, Volume 43, Issue 1, March 2014, Pages 16–38, https://doi.org/10.1093/camqtly/bft040
Editor's Choice
‘Calling a halt to your trivial thinking’: Philip Roth and the Canon Debate
Patrick Hayes
The Cambridge Quarterly, Volume 42, Issue 3, September 2013, Pages 225–246, https://doi.org/10.1093/camqtly/bft024
Editor's Choice
Tragedy in China
Jennifer Wallace
The Cambridge Quarterly, Volume 42, Issue 2, June 2013, Pages 99–111, https://doi.org/10.1093/camqtly/bft017
Editor's Choice
Dialogue and Leisure at the Fin de Siècle
Peter Womack
The Cambridge Quarterly, Volume 42, Issue 2, June 2013, Pages 134–156, https://doi.org/10.1093/camqtly/bft018
Editor's Choice
Faulkner, Jews, and the New Deal: The Regional Commitments of ‘Barn Burning’
Thomas Peyser
The Cambridge Quarterly, Volume 42, Issue 1, March 2013, Pages 1–19, https://doi.org/10.1093/camqtly/bft011
Editor's Choice
The Peculiar Romanticism of the English Situationists
Sam Cooper
The Cambridge Quarterly, Volume 42, Issue 1, March 2013, Pages 20–37, https://doi.org/10.1093/camqtly/bft010
Editor's Choice
‘Visible Earshot’: The Returning Voice of Susan Howe
Edward Allen
The Cambridge Quarterly, Volume 41, Issue 4, December 2012, Pages 397–421, https://doi.org/10.1093/camqtly/bfs020
Editor's Choice
Reframing Melville's ‘Manifesto’: ‘Hawthorne and His Mosses’ and the Culture of Reprinting
Ida Rothschild
The Cambridge Quarterly, Volume 41, Issue 3, September 2012, Pages 318–344, https://doi.org/10.1093/camqtly/bfs025
Editor's Choice
Rhetoric and Rethinking in Bentley's Paradise Lost
Sophie Read
The Cambridge Quarterly, Volume 41, Issue 2, June 2012, Pages 209–228, https://doi.org/10.1093/camqtly/bfr040
Editor's Choice
Goldsworthy Lowes Dickinson and the King's College Mandarins
Jason Harding
The Cambridge Quarterly, Volume 41, Issue 1, March 2012, Pages 26–42, https://doi.org/10.1093/camqtly/bfr038
Editor's Choice
Nineteen Fifty-Eight: Information Technology and the Reconceptualisation of Creativity
Christopher Mole
The Cambridge Quarterly, Volume 40, Issue 4, December 2011, Pages 301–327, https://doi.org/10.1093/camqtly/bfr030
Editor's Choice
Gorillas in the House of Light
David Ashford
The Cambridge Quarterly, Volume 40, Issue 3, September 2011, Pages 201–223, https://doi.org/10.1093/camqtly/bfr018
Editor's Choice
Woolf's Cesspoolage: On Waste and Resignation
Sara Crangle
The Cambridge Quarterly, Volume 40, Issue 1, March 2011, Pages 1–20, https://doi.org/10.1093/camqtly/bfq031
Editor's Choice
Jane Austen's Past Lives
Freya Johnston
The Cambridge Quarterly, Volume 39, Issue 2, June 2010, Pages 103–121, https://doi.org/10.1093/camqtly/bfq008
Editor's Choice
Philip Roth's Great Books: A Reading of The Human Stain
Kasia Boddy
The Cambridge Quarterly, Volume 39, Issue 1, March 2010, Pages 39–60, https://doi.org/10.1093/camqtly/bfp025
Editor's Choice
Who Is King of the Cats? Byron, Shelley and the Friendship of Poets
David Ellis
The Cambridge Quarterly, Volume 39, Issue 1, March 2010, Pages 61–75, https://doi.org/10.1093/camqtly/bfp026
Editor's Choice
‘Most Free from Personality’: Arnold's Touchstones of Ethics
James Walter Caufield
The Cambridge Quarterly, Volume 38, Issue 4, December 2009, Pages 307–327, https://doi.org/10.1093/camqtly/bfp017
Editor's Choice
The Chemistry of Love Poetry
Tim Hancock
The Cambridge Quarterly, Volume 36, Issue 3, 2007, Pages 197–228, https://doi.org/10.1093/camqtly/bfm004
