Ambivalent: Photography and Visibility in African History

Abstract

In this roundtable, five historians come together to review the collected essays in Ambivalent: Photography and Visibility in African History. Jennifer Tucker provides an overview of the content of the book and its significance in terms of scholarship on photography and African history. Matthew Fox-Amato studies how powerful photographs can be as evidence when combined with other kinds of sources such as oral narratives. Referring to the essays of Patricia Hayes and Isabelle de Rezende, Marius Kothor notes how the intersection between photography and oral tradition create new ways of conceptualizing the relation between photography and time. Olga Shevchenko marvels at the ability of photography to open up discussions regarding colonial and postcolonial relationships of power, knowledge production, ethnic and political pluralism, and subjectivity that transcend the frame. Writing about the essay of Phindi Mnyaka, Zeynep Devrim Gürsel observes how we forge different perspectives from the same photograph and, in the process, unravel new analytical spaces. Finally, Sumathi Ramaswamy references the essays of Ingrid Masondo and Gary Minkley to draw attention to the use of photography as a surveillance instrument by oppressive regimes.

Southern Africa, Photography, Cultural, Diasporas, History Teaching and Learning