
Contents
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3.1 Introduction 3.1 Introduction
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3.2 Conceptual Framework and Key Assumptions 3.2 Conceptual Framework and Key Assumptions
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3.3 Art Basel: Metrics and Limitations 3.3 Art Basel: Metrics and Limitations
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3.3.1 The Data Set 3.3.1 The Data Set
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3.3.2 The Metrics and the Analysis 3.3.2 The Metrics and the Analysis
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3.4 The Basel System: A Geography 3.4 The Basel System: A Geography
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3.4.1 The Geography of Centrality 3.4.1 The Geography of Centrality
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3.4.2 Brazil, India, and China 3.4.2 Brazil, India, and China
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3.4.2.1 Brazil 3.4.2.1 Brazil
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3.4.2.2 India 3.4.2.2 India
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3.4.2.3 China 3.4.2.3 China
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3.5 Conclusions 3.5 Conclusions
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References References
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3 Making Visible: Artists and Galleries in the Global Art System
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Published:March 2015
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Abstract
This chapter aims to provide an empirical picture of the complex networks of relations that move the evaluation process in the contemporary art market. Through a descriptive inquiry on the role of the social networks at Art Basel—currently the most important contemporary art fair in the world—the chapter enlightens the role of artists’ galleries networks as trajectories of consensus and consecration, and describes the potential of these networks as engines of self-reinforcement of the contemporary art system. The chapter emphasizes in particular the changes occurring in the geographic distribution of the artists’ centrality in the galleries’ portfolios as a set of professional opportunities and performances, offering a specific view through the lens of Art Basel of the globalization of the contemporary art market, with a specific focus on the visibility performance of the younger artists born in emerging countries.
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