Camp TV of the 1960s: Reassessing the Vast Wasteland
Online ISBN:
9780197650783
Print ISBN:
9780197650745
Publisher:
Oxford University Press
Book
Camp TV of the 1960s: Reassessing the Vast Wasteland
Isabel Pinedo (ed.),
Isabel Pinedo
(ed.)
Professor of Film and Media Studies, Hunter College, CUNY
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W. D. Phillips (ed.)
W. D. Phillips
(ed.)
Associate Professor of Film and Media Studies, Texas Tech University
Find on
Published online:
22 June 2023
Published in print:
28 June 2023
Online ISBN:
9780197650783
Print ISBN:
9780197650745
Publisher:
Oxford University Press
Cite
Pinedo, Isabel, and W. D. Phillips (eds), Camp TV of the 1960s: Reassessing the Vast Wasteland (New York , 2023; online edn, Oxford Academic, 22 June 2023), https://doi.org/10.1093/oso/9780197650745.001.0001, accessed 19 Apr. 2025.
Abstract
Camp TV of the 1960s is the first cohesive study of camp on television that considers the various forms it took during that critical decade. It reconsiders American prime-time programs that drew significantly on aspects of camp such as Batman, The Monkees, The Addams Family, Bewitched, F Troop, British programs including The Avengers, and programs not often associated with Camp TV like Snagglepuss. In addition, specific chapters consider how musical codes convey camp humor, camp’s openness to reappropriation by queer communities, and how camp’s multiple meanings allowed for more conservative readings that led to its mass dissemination by the seventies.
Collection:
Oxford Scholarship Online
Contents
-
Front Matter
-
Introduction: Camp(ing) in the 1960s
W. D. Phillips andIsabel C. Pinedo
-
1
Gilligan and Captain Kirk Have More in Common Than You Think: 1960s Camp TV as an Alternative Genealogy for Cult Television
Isabel C. Pinedo andW. D. Phillips
-
Section I Laying the (Camp)Groundwork
Isabel C. Pinedo andW. D. Phillips -
Section II Camp TV’s Tentpoles
Isabel C. Pinedo andW. D. Phillips-
4
They’re Creepy and They’re Campy: Camping the American Family on 1960s Horror Television
Jamie Hook
-
5
Spellcasting Camp: Bewitched (1964–72)
Andrew J. Owens
-
6
How the West Was Fun: F Troop (1965–67) and the American Frontier
Cynthia J. Miller
-
7
“Holy Fruit Salad, Batman!”: Unmasking Queer Conceits of ABC’s Late-1960s Branding
Benjamin Kruger-Robbins
-
8
“We’re Being Passed off as Something We Aren’t”: Authenticity versus Camp on The Monkees (1966–68)
Dan Amernick
-
9
Straight Male Spies, Queer Camp Vistas: The Evolution of Non-Normative Masculinities in The Avengers (1961–69) and 1960s British Spy-fi TV
Craig Haslop andDouglas McNaughton
-
4
They’re Creepy and They’re Campy: Camping the American Family on 1960s Horror Television
-
Section III Other Camp(TV)sites
Isabel C. Pinedo andW. D. Phillips-
10
Can TV Music Be Camp? Notes from the 1960s
Reba A. Wissner
-
11
Flipper’s (1964–67) Dark Camp
Nicholas C. Morgan
-
12
Camp TV, The Beverly Hillbillies (1962–71), and Flip Wilson’s (1970–74) Geraldine Jones: Negativity, Trans Gender Queer, and the Comedy of Manners
Ken Feil
-
13
“Far Right, Far Left, and Far Out”: Mainstreaming Camp on American Television
Moya Luckett
-
Afterword: Questions of Taste and Pre-cult/Post-cult
Matt Hills
-
10
Can TV Music Be Camp? Notes from the 1960s
-
End Matter
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