
Contents
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Family and school Family and school
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Cambridge as an undergraduate Cambridge as an undergraduate
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The London School of Economics: phase one The London School of Economics: phase one
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The interlude: Australia and India The interlude: Australia and India
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The London School of Economics: phase two The London School of Economics: phase two
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Some major influences on his thought Some major influences on his thought
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His audience: seminar culture His audience: seminar culture
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His method of exploring and communicating ideas; the visual dimension His method of exploring and communicating ideas; the visual dimension
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Discovery and originality Discovery and originality
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The anthropology of art The anthropology of art
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Contradictions and creativity Contradictions and creativity
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Alfred Antony Francis Gell 1945–1997
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Published:December 2003
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Abstract
Alfred Gell was widely regarded as one of the most interesting thinkers in the world in the field of the anthropology of art. His life and writings provide an interesting insight into the fashions and flows of one part of British thought in the later 20th century. While Gell will be remembered as the author of the classic ethnography on the Umeda and a splendid survey of theories of time, it is the work on art and anthropology, undertaken during the last twelve years of his short life, which will determine his wider reputation. This consists of three books. The first, and only one published during his life was Wrapping in Images: Tattooing in Polynesia (1992). The second in order of writing, though not of publication, was a collection of his essays, mostly given as seminar papers and lectures, published in 1999 as The Art of Anthropology; Essays and Diagrams and edited by Eric Hirsch. The final work was Art and Agency, An Anthropological Theory (1998).
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