
Contents
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Who is Roberto Gerhard? Who is Roberto Gerhard?
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In Gerhard’s Own Words In Gerhard’s Own Words
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The ‘Tonality of a Twelve-Tone Series’ The ‘Tonality of a Twelve-Tone Series’
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The Influence of Mathematics and Science, and Gerhard’s Advances in Temporal Theory The Influence of Mathematics and Science, and Gerhard’s Advances in Temporal Theory
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Conclusion Conclusion
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14 A Voice Apart: Constructing a Cosmopolitan Identity in Exile
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Published:November 2022
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Abstract
This chapter explores Gerhard’s cosmopolitanism—both through his writings and the circumstances of his life. It details how these influences and Gerhard’s interest in mathematics and biology—particularly informing proportion and models for the development of musical materials—are manifest in his unique approach to serial thinking in the final decades of his life. The chapter examines the life and compositional identity of a composer whose trajectory was altered by war and exile, but, at the same time, whose circumstances and opportunities were shaped by his cosmopolitan upbringing and his careful cultivation of friendships, acquaintances, and collaborators, and offers one composer’s unique and cosmopolitan perspective on the development and evolution of musical composition and practice throughout Europe and the United States during the early to mid-twentieth century.
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