
Contents
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Translation as Revolution Translation as Revolution
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Between Sign and Signification: Narratives and Counter-narratives Between Sign and Signification: Narratives and Counter-narratives
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Taking Back the Sign: Censorship and the Egyptian Street Taking Back the Sign: Censorship and the Egyptian Street
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Demands: The Regime and the New Statesmen Demands: The Regime and the New Statesmen
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Confronting Empire: Mubarak, History, and Global Alliances Confronting Empire: Mubarak, History, and Global Alliances
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Translating Affect: Solidarity at Home and Abroad Translating Affect: Solidarity at Home and Abroad
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Mobilizing Memory: Humor and Tragedy Mobilizing Memory: Humor and Tragedy
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Conclusion Conclusion
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Notes Notes
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3 Signs and Signifiers: Visual Translations of Revolt
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Published:July 2012
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Abstract
Reads and translates the throng of revolutionary banners and signs whose visual immediacy both established the demands of protesters and responded to the emerging political discourse as it unfolded thereby becoming, in and of themselves, a translation of the awakening of public consciousness and a remarkable and fearless articulation of the right to language. The authors trace how these visual public signs inscribed a narrative of resistance that drew on various symbols and layers of historical, cultural, and political memory to write the story of a people in revolt. As the authors correctly point out, “a palpable sense of guilt, responsibility and complicity underwrote many of these banners, drawing on a collective memory of censorship and participation in silence, and paving the way for a new moral economy.” Through a translation of the unprecedented politics of display in Tahrir that combined humor, satire, and creative energy, the authors show how Egyptians used their individual and collective bodies as canvases to represent the demands of the revolution, to dismantle and expose a history of empire and global complicities, and to celebrate solidarities, exceptional valor, and enormously tragic sacrifice.
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