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This research received funds from two sources: a Rockefeller Humanities fellowship granted by the Center for Media, Culture, and History at New York University for the part on minorities, and the Middle East Research Competition (MERC, housed until 2002 by the Lebanese Center for Policy Studies [LCPS]) for the part on gender. I would like to thank Faye Ginsburg and Barbara Abrash (Center for Media, Culture, and History) for their hospitality; the Wissenschaftskolleg zu Berlin for hosting me during the editing of this book; editors Lesley Tweddle and Nadia Naqib for their patience and thoroughness, from which this book has profited immensely; as well as all who were willing to share their time and knowledge with me through interviews, to name only Daoud ‘Abd El-Sayed, Mustafa Darwish, Ahmad al-Hadari, Khairy Beshara, the late Miriam Donato (including her family and lawyer, as well as Erwin Northoff who helped me to meet her), Samir Saif, and Magid Taufiq; as well as my colleagues and friends, Ateyyat El Abnoudy, Magdi ‘Abd al-Rahman, Nabil ‘Abd al-Fattah, Lila Abu-Lughod, ‘Ala’ al-Hamarneh, Dina Craissati, Vivian Fouad, Hanna Grace, Karima Kamal, Garay Menicucci, and Marlyn Tadros for their friendly support, many discussions and the supply of materials. Also I would like to thank Steven Schneider who inspired me to examine Egyptian horror films and Alberto Elena and the editors of Archivos de la Filmoteca for asking me to consider Nasser's cinematic representation. Thanks go also to Ella Shohat and Robert Stam, who I am very glad to have met so many years ago, enjoying their illuminating and inspiring ideas which are certainly reflected in this book. Last but not least, I am immensely grateful to my son Ani and my husband Onsi Abou Seif (whose own long experience in Egyptian cinema represented a constant source of inspiration and feedback) for their tremendous love, patience, and flexibility.
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