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Penal Semiotics at Sera Mey Penal Semiotics at Sera Mey
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Public Reprimand: A Close Reading Public Reprimand: A Close Reading
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Histrionic Anger Histrionic Anger
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4 Public Reprimand Is Serious Theatre
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Published:April 2012
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Abstract
This chapter focuses on one key disciplinary practice at Sera Monastery, the disciplinarian's “public reprimand.” It examines how this disciplinary practice can be pedagogical by way of its semiotic properties—how it serves as a form of “serious theatre.” In public reprimand, the disciplinarian seeks to reform the moral dispositions of monks especially through the textual projection, juxtaposition, and evaluation of “voices.” Singled out for rehabilitation in the performance from Sera analyzed here is the voice of the “derelict monk,” who shirks his duties, chases after money, skips religious assemblies, neglects to take exams in Buddhist doctrine. The disciplinarian juxtaposes morally weighted voices in a manner designed to effect a transformation from derelict to dutiful. This transformation unfolds before the audience as amoral-didactic drama, a kind of “serious theatre,” but it is theatre that is often uncomfortably close to the skin.
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