
Published online:
21 February 2013
Published in print:
01 June 2009
Online ISBN:
9780226207858
Print ISBN:
9780226207834
Contents
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case 1: actual intentions Understood (or Misunderstood) by agents case 1: actual intentions Understood (or Misunderstood) by agents
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case 2: achieved intentions Understood or Misunderstood (perceived or misperceived) by agents case 2: achieved intentions Understood or Misunderstood (perceived or misperceived) by agents
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case 3: actual (and achieved) intentions declared or undeclared by agents (to agents) case 3: actual (and achieved) intentions declared or undeclared by agents (to agents)
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case 4: actual antentions Understood or Misunderstood, perceived or Mis perceived by audiences case 4: actual antentions Understood or Misunderstood, perceived or Mis perceived by audiences
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case 5: achieved intentions Understood or Misunderstood By audiences case 5: achieved intentions Understood or Misunderstood By audiences
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case 6: declared intentions Understood or Misunderstood by audiences case 6: declared intentions Understood or Misunderstood by audiences
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Cite
OXFORD ACADEMIC STYLE
Enders, Jody, 'The Theatrical Contract', Murder by Accident: Medieval Theater, Modern Media, Critical Intentions (Chicago, IL , 2009; online edn, Chicago Scholarship Online, 21 Feb. 2013), https://doi.org/10.7208/chicago/9780226207858.003.0007, accessed 20 Apr. 2025.
CHICAGO STYLE
Enders, Jody. "The Theatrical Contract." In Murder by Accident: Medieval Theater, Modern Media, Critical Intentions University of Chicago Press, 2009. Chicago Scholarship Online, 2013. https://doi.org/10.7208/chicago/9780226207858.003.0007.
Abstract
This chapter examines the issues of social contact in the theater or theatrical contact. It analyzes the six discrete cases that make up the experience of theater, including achieved intentions, actual intentions and reception of intentions. This chapter discusses Erving Goffman's signature definition of social involvement and argues that there is nothing unhealthily juridical about the mutual consideration that defines the theater. It also suggests that the theatrical experience allows the spectators to make moral, ethical, legal and artistic sense of a dramatic performance.
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