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This book is closely related to my earlier work, Theorizing Bruce Lee (Bowman 2010). It is both younger and yet more mature. At times it picks up, unpicks and reworks some of the loose threads of that earlier book, at others it takes off in completely different directions. Some sections reiterate, restage and rework earlier debates. Many others are completely different. All try to move beyond Bruce Lee: beyond a narrow conception of what is meant by Bruce Lee – whether that be merely as celebrity, icon, choreographer, martial arts innovator, pop psychologist, philosopher or film star – and into the wider waters of the questions of his cultural emergence and popular cultural intervention; the significance of the East/West dynamics that are played out in and around the texts that are Bruce Lee; questions of the status of ‘his’ philosophy; the significance of the effects his films have had on cultures East and West; the ways in which Bruce Lee has been articulated with other cultural realms and registers or translated into and out of cultural and political discourses; as well as the enduring questions of ethnicity and identity politics that arise vis-à-vis Bruce Lee.
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