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This chapter studies the treatment of 9/11 as a psychologically traumatic event. A cycle of post-9/11 films, including The Guys and Extremely Loud and Incredibly Close, places the experience of 9/11 in a liberal therapeutic framework. The Guys seeks to show how loss affects not only the rescue services that were given privileged status in much mass media coverage, but also a widely varied New York community. The film offers an early working through of the post-traumatic stress disorder (PTSD)/therapy paradigm, and forms part of the outpouring of therapeutic patriotism. In Extremely Loud and Incredibly Close, the main protagonist's quest to find the meaning of a key that belonged to his father who died in the World Trade Center reveals itself to be a therapeutic journey that enables him to alleviate the symptoms of PTSD, and thereby subject the wider event to the logic of therapeutic nationalism.
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