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The term ‘postmodernism’ in the title ‘Postmodernism and Cinema’ links together a particular historical period and a distinctive aesthetic style. It is therefore helpful to distinguish between postmodernity – an epoch defined by its relation to the modern – and postmodern aesthetics – the key stylistic features of postmodernist artworks. Both the historical and the aesthetic definitions have been the locus of much disagreement. The issue of delineating a specific postmodern epoch is contentious. There are those who argue that postmodernity does not exist at all; those who position it after modernity, conceptualised as the rise of industrialisation and mass production, who typically nominate start dates from the 1940s to the 1980s; and those who argue the postmodern does not form an epoch but occurs sporadically across a long modernity, beginning in the late eighteenth century with the Age of Enlightenment. There is even less agreement about when postmodernity will come to an end, assuming it has not already ended.
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