
Contents
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The problems with national cinema The problems with national cinema
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Reterritorialising ‘British cinema’ Reterritorialising ‘British cinema’
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Romantic comedy: With or Without You Romantic comedy: With or Without You
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Heritage cinema and Jude Heritage cinema and Jude
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Post-heritage cinema and The Claim Post-heritage cinema and The Claim
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Literary adaptation, cinematic narration and A Cock and Bull Story Literary adaptation, cinematic narration and A Cock and Bull Story
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Adaptations and adaptability Adaptations and adaptability
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Conception, creation and doubles Conception, creation and doubles
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The costume film remixed The costume film remixed
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(Hi)story-telling (Hi)story-telling
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Bio-pics and monumental cinema Bio-pics and monumental cinema
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Conclusion Conclusion
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Notes Notes
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Cite
Abstract
This chapter analyses Michael Winterbottom’s With or Without You (1999), Jude (1996), The Claim (2000), A Cock and Bull Story (2005), and 24 Hour Party People (2002), focusing on the relationship between nation and cinematic genre. These films are reworkings of heritage films or costume films. Although this genre does not have the significance of a foundation myth for British popular culture, it has nevertheless been the object of debates about national identity, the relationship between the present and the past, and the position of cinema in relation to a national culture. Through a distinctive treatment of visual style, setting and iconography, and narrative organisation, the films prompt the viewer to reflect on the stories told by filmmakers about national cultures and identities, and also the ways in which the accumulation of such stories and images contributes to the formation of national cultures.
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