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In late August 2001, my wife and I were driven in a van from the Casablanca airport and the heat of the Chaouia plain up to the relative coolness of the cedar-clad Middle Atlas Mountains to begin jobs teaching at Al Akhawayn University in Ifrane. As we headed south off the autoroute near Meknes, we saw three Arabic words painted on the foothills at the town of El Hajeb: Allah, Al-Watan, Al-Malik (God, the Nation, the King). This book’s origins lie somewhere on that road, which we traversed countless times during our multiple stays in Ifrane, between the Middle Atlas Mountains and the Saiss plain. In subsequent travels, we saw this pithy triptych of state-sponsored Moroccan national identity painted across hillsides from the Rif Mountains in the north to the pre-Sahara in the south. I became intrigued: How did modern Moroccan identity, at least the official version, come to be defined around these pillars? How did the Alawid dynasty, unlike most of its peers in the region, survive European colonization, the independence struggle, and decolonization? And, how and why has Moroccan identity continued to be renegotiated, particularly in the official shift over the past fifteen years from a dominant Arab and Muslim identity to a multiethnic definition of the nation that is formally expressed in the recognition of Tamazight (Berber) as an official national language alongside Arabic in the 2011 Moroccan constitution?
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