
Published online:
22 March 2012
Published in print:
26 November 2010
Online ISBN:
9780748652631
Print ISBN:
9780748641130
Contents
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7.1 Fifteen theses on impurification 7.1 Fifteen theses on impurification
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7.2 An impossible purity: Hitchcock Ø MallarmÉ 7.2 An impossible purity: Hitchcock Ø MallarmÉ
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7.3 Revolutionary cinema 7.3 Revolutionary cinema
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Notes Notes
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Cite
Ling, Alex, 'The Castle of Impurity', Badiou and Cinema (Edinburgh , 2010; online edn, Edinburgh Scholarship Online, 22 Mar. 2012), https://doi.org/10.3366/edinburgh/9780748641130.003.0007, accessed 20 Apr. 2025.
Abstract
This chapter summarises the findings of the previous chapters into fifteen theses on impurification and cinema, listing the key characteristics of cinema as an art. It examines the disparate cinemas of Alfred Hitchcock and Jean-Luc Godard in terms of the peculiarly cinematic knot they tie between art and politics, and suggests that they both epitomise the idea of cinema being a mass art.
Keywords:
impurification, cinema, art, Alfred Hitchcock, Jean-Luc Goddard, art and politics, mass art
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