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Critique and Speculation Critique and Speculation
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Critique and Speculation in Art History’s ‘Scientific’ Image of Thought Critique and Speculation in Art History’s ‘Scientific’ Image of Thought
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A Peircian Art History? Pragmatic Speculation and Method A Peircian Art History? Pragmatic Speculation and Method
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From Speculation to Construction: Deleuze’s Immanent Critique From Speculation to Construction: Deleuze’s Immanent Critique
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Deleuze’s Constructivism and Art History? The case of Negroponte’s Madonna and Child Deleuze’s Constructivism and Art History? The case of Negroponte’s Madonna and Child
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Notes Notes
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11 Speculation, Critique, Constructivism: Notions for Art History
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Published:October 2017
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Abstract
This chapter explores the values of the notions of critique, construction and speculation for the practice of Art History. It argues for an immanently critical and constructive art history in pace of a speculative art history. Beginning with an examination of the distinctions between speculation and critique in Kant’s philosophy, and exploring how these notions have functioned in art history’s ‘scientific image of thought’ in part through an appeal to the post-Kantian philosophy of CS Peirce, the chapter develops a constructive, immanently critical art history through Gilles Deleuze’s philosophy. Turning to a single painting by the 15th century painter Jacopo da Negroponte, it indicates some of the features of this constructivist art history, and how it might impact the task of art historical writing.
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