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Conclusion: A Theory of Practising
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Published:September 2021
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Abstract
This chapter draws together the arguments of the book as a whole, going via an example in visual art (David Hockney) and the idea of planned spontaneity. It discusses the atmosphere attending long term practitioners in various modes, and accounts for why this might be in terms of practising’s effect on identity. It notes the importance of making a break in the flow of usual time, or the habitual living present—not in a destructive sense, and not in order to forgo habit entirely, but in order sometimes to allow for creativity and newness to arise. It concludes with the ‘enoughness’ that a regular engagement with practising can cultivate, leaving open for the reader’s consideration the political, environmental, economic and interpersonal implications of this perspective.
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