
Contents
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Introduction: Peoria and the ‘Edge City’ Introduction: Peoria and the ‘Edge City’
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‘David Wallace’ in the Edge City ‘David Wallace’ in the Edge City
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Postindustrial Hauntings: Space and the Return of History Postindustrial Hauntings: Space and the Return of History
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Relocating the Human in the Edge City Relocating the Human in the Edge City
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Limits: Gender and Race in The Pale King’s Spaces Limits: Gender and Race in The Pale King’s Spaces
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Conclusion Conclusion
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Notes Notes
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5 What is Peoria for? (II): Peoria, the Edge City and The Pale King
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Published:December 2022
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Abstract
This chapter focuses on Wallace’s post-2005 work on The Pale King, showing this work to have become increasingly centred on Peoria and its ‘Regional Examination Centre’ – a narrative geography which this chapter connects with wider responses to the quintessentially postindustrial form of the ‘Edge City’. The chapter shows how the novel portrays this space as resistant to incorporation into historical and personal narratives, before exploring how Wallace responded by configuring this postindustrial space as one (literally) haunted by an industrial past; a literary intervention that aims to reconnect place with history, forming the basis of a possible rehumanisation of American geography effected within postindustrial workspace itself. As with Infinite Jest, though, the chapter shows how questions of gender and race place strains on the rehumanising strategy that Wallace situated in the spaces of postindustrial life.
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