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Local Dickens in Popular Culture Local Dickens in Popular Culture
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Global Dickens Global Dickens
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Further Reading Further Reading
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47 Dickens’s Global Circulation
Get accessRegenia Gagnier is Professor of English at the University of Exeter, Editor of the Global Circulation Project of Literature Compass, and Senior Research Fellow in Egenis, the Centre for the Study of Life Sciences. Her books include Idylls of the Marketplace: Oscar Wilde and the Victorian Public (Stanford University Press 1986); Subjectivities: A History of Self-Representation in Britain 1832–1920 (Oxford University Press, 1991), The Insatiability of Human Wants: Economics and Aesthetics in Market Society (University of Chicago Press, 2000). Individualism, Decadence and Globalization: On the Relationship of Part to Whole 1859–1920 (Palgrave Macmillan, 2010). Her recent co-edited books include The Politics of Gender in Anthony Trollope’s Novels: New Readings for the Twenty-First Century (Ashgate, 2009) and The Palgrave Sourcebook on Victorian Literature (Palgrave Macmillan, 2012). Her book Literatures of Liberalization: Global Circulation and the Long Nineteenth Century will appear in late 2018 in the Palgrave series New Comparisons in World Literature. From 2009 to 2012 she was President of the British Association for Victorian Studies.
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Published:09 October 2018
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Abstract
This chapter synthesizes research on the global circulation of Dickens and the place of Dickens in current debates about World Literatures and Translation Studies. It focuses on Dickens outside Britain, Europe, and North America, in terms of geography as well as literary traditions: New Zealand, Australia, Africa, Socialist Poland, Chinese, Japanese, and Arabic, with some reference to more widely studied areas such as Spanish, Russian, and South Asian literary traditions. It urges us to think less in terms of originality and derivation than of circulation, appropriation, use, and their corollaries of triangulation, transculturation, revoicing, and (re)mediation. It considers the multiple meanings of ‘Dickens’ in cultural translation and in global literary histories. Societies caught between traditional cultures and the forces of modernization give rise to ‘Dickensian’ novels, ‘Dickensian’ characters, ‘Dickensian’ affect, ‘Dickensian’ institutions, and so forth, showing that comparable conditions give rise to formal resemblances.
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