The Oxford Handbook of Hip Hop Music
The Oxford Handbook of Hip Hop Music
Justin aDams Burton is Assistant Professor of Music at Rider University. Justin, who specializes in popular music, especially hip hop, dance, and pop genres in the context of race and gender politics, is author of Posthuman Rap (Oxford, 2017) and a regular contributor to Sounding Out!.
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Abstract
This handbook is currently in development, with individual articles publishing online in advance of print publication. At this time, we cannot add information about unpublished articles in this handbook, however the table of contents will continue to grow as additional articles pass through the review process and are added to the site. Please note that the online publication date for this handbook is the date that the first article in the title was published online. For more information, please read the site FAQs.
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Crate Digging Begins at Home: Black and Latinx Women Collecting and Selecting Records in the 1960s and 1970s Bronx
Jennifer Lynn Stoever
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The Strain of the Voice: Hip Hop’s Ambient Vocalities
Adrienne Brown
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Between Live Performance and Mediated Narrative: Contemporary Rap Battle Culture in Context
Eli T. Bacon
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On Politics and Performativity in Atlanta Hip Hop Party Culture, Or How to Get Crunk with (Body and) Words
Kevin C. Holt
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“Check Out the Hook While My DJ Revolves It”: How the Music Industry Made Rap into Pop in the Late 1980s
Amy Coddington
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For Those in the “Ghetto Torture Chambers”: Iceberg Slim, Pulp Authenticity, and the Noir Tradition in Hip Hop
Matthew Teutsch andJason Lee Oakes
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“I’m Ready to Die”: The Notorious B.I.G., Black Love, and Death
Lisa B. Y. Calvente
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Vocal Vulnerabilities: The New Masculinities of Millennial Hip Hop
Sarah Lappas
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From Black Hipsters to Black Hippy: Flow and the Cultural Genealogy of “Neo-Bohemian” Hip Hop
Maxwell Williams
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Properly Compensating Artists in Academic Hip Hop Research
Jess A. Dilday
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Intersectionality in American Sign Language Hip Hop Interpreting
Elyse Marrero
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All in the Family: The Contested Meanings of Mothers, Fathers, and Children in Hip Hop Culture
Nichole Guillory andSeneca Vaught
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Mo’ Money Mo’ Problems: Hip Hop and Luxury’s Uneasy Partnership
Nigel Lezama
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Recuperating the Real: The Liberation Imperative of Hip Hop Authenticity
Damon Sajnani
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Hip Hop Life Writing: An Intermedial Challenge to Essentialist Reading Practices
Nassim Winnie Balestrini
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Hip Hop as Martial Art: A Political Economy of Violence in Rap Music
J. Griffith Rollefson
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“I Still Don’t Understand Award Shows”: Kanye West and Hip Hop Celebrity in the Twenty-First Century
Tara Colley
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Prince Paul’s Psychoanalysis: What Is It? The Rap Album as Psychoanalytic Self-Exploration
Nathan Fleshner
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Hip Hop Music and (Reading) the Narrative Soundtracks of New Black Realist Cinema
James Millea
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Rhythm Technologies, Workflows, and Convergence Culture in Amateur Hip Hop Beat-Making YouTube Videos
Thomas Brett
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The Ghosts Got You: Exploring the Queer (After) Lives of Sample-Based Hip Hop
Elliot H. Powell
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Noise Reconsidered: Public Enemy’s Bomb Squad as Hip Hop Outlier
Patrick Rivers andWill Fulton
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Hip Hop without a DJ: Authenticating The Roots in an Era of Sample-Based Hegemony
Sean Peterson
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Evaluating the Past and Present of Sample-Based Hip Hop
Arvin Alaigh
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“Playas” and Players: Racial and Spatial Trespassing in Hip Hop Culture Through Video Games
Michael Austin
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Digital, Underground: Black Aesthetics, Hip Hop Digitalities, and Youth Creativity in the Global South
Ali Colleen Neff
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“When We Gonna Quit? The 31st Of Never!”: Hip Hop Sounds and Sensibilities in Post-Bankruptcy Detroit
Rebekah Farrugia andKellie Hay
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Brazilian Hip Hop in Three Scenes
Leonardo Cardoso
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Rappalachia: The Performance of Appalachian Identity in Hip Hop Music
Todd Snyder
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Bucktown vs. 'G' Thang: The Enduring East Coast/West Coast Dialectic in Hip Hop Music
Andrew McIntosh
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Remixing the Environment: Climate Change, Rhythm Science, and DJ Spooky’s Digging in the Landscape
Kate Galloway
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