
Published online:
20 May 2021
Published in print:
03 November 2020
Online ISBN:
9780813058832
Print ISBN:
9780813066646
Contents
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Section III. Tragic Section III. Tragic
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Why Reconstruct in Addition to Traditional Research? Why Reconstruct in Addition to Traditional Research?
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Old Ballets and the Current Repertory: How We Got to Today Old Ballets and the Current Repertory: How We Got to Today
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Group Dances: Tradition and Transformation Group Dances: Tradition and Transformation
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What I Have Learned What I Have Learned
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Chapter
6 One Final Note: What We Have Learned
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Pages
103–120
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Published:November 2020
Cite
Kattner, Elizabeth, 'One Final Note: What We Have Learned', Finding Balanchine's Lost Ballets: Exploring the Early Choreography of a Master (Gainesville, FL , 2020; online edn, Florida Scholarship Online, 20 May 2021), https://doi.org/10.5744/florida/9780813066646.003.0006, accessed 21 Apr. 2025.
Abstract
This final chapter discusses the merits of the project, showing how examining George Balanchine’s earliest ballets allows us a better understanding of his mature works. Comparisons are drawn between his lost ballets and those that are in the repertory: Prodigal Son, Apollo, Serenade, Jewels, Stravinsky Violin Concerto, and others. This conclusion shows the merits of a dance reconstruction project like Funeral March and demonstrates how it enables historians, dance artists, and audiences to gain greater depth in their understanding of ballet as an art form.
Subject
Cultural Studies
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