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Three Murder and “Point of View”
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Published:March 2016
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Abstract
This chapter proposes a new understanding of the importance of French-naturalist literary influence for Henry James, and thereby, of the configuration of Jamesian narrative form, and the role of his experimental “middle period” in clarifying its contours. It argues that James’s main objection to naturalism (particularly the work of the Goncourts and Flaubert) lies in the “cruelty” with which it negates the aspirations of its characters. However, contrary to the orthodoxies of literary history, Jamesian “point of view” is only ostensibly based on a liberal commitment to respecting individual perspectives. Through a new reading of The Turn of the Screw, which shows it to expose the blueprint and rationale of Jamesian plot in general, the chapter suggests that Jamesian narrative pursues the apparent indulgence of desire while undercutting it through formal means. The exposition of James’s text, drawing upon Lacanian psychoanalysis, indicates the meaning of a concept of cruelty for the latter theory.
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