
Contents
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Locating the Pan Dechong Sarcophagus Locating the Pan Dechong Sarcophagus
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The Sarcophagus, the Body, and the Path The Sarcophagus, the Body, and the Path
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Doorways and the Play Room Doorways and the Play Room
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The Theatrical Concepts of Inside (Nei) and Outside (Wai) Spaces The Theatrical Concepts of Inside (Nei) and Outside (Wai) Spaces
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Ancient Doorways and Ghost Doorways Ancient Doorways and Ghost Doorways
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The Actors, the Dead, and the Performance The Actors, the Dead, and the Performance
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In and Out of the Theater In and Out of the Theater
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Cite
Abstract
The last case shows the culmination of the second mode of representing theatrical performance. The head panel of a sarcophagus excavated from the tomb of Pan Dechong, a Yuan-dynasty Quanzhen Daoist master in Ruicheng, Shanxi province, bears a carved image of four actors in a theater that incorporates a physical hole drilled into the stone. This new design highlights a contemporary understanding of the coffin as an idealized microcosm of the “eternal” body. The interpenetration between the represented stage and the actual interior of the coffin further reveals the ways in which the realm of the everyday world and the realm of the dead were conceived of as interacting with one another in profoundly theatrical terms. The complex interplay between the ideas of inside and outside alluded in the image illuminates contemporary experiences of the theater partially traceable in both dramatic texts and the architectural structure of a particular type of temple stage.
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