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It has been shown that most of the factory paintings from 1760 to 1822 are fairly accurate and reliable representations. They match very closely with the written records. It has also been shown that many, if not most, of the two-dimensional paintings examined in this study were not entirely based on templates. Templates might have been used to produce a rough draft of a painting, but then onsite observation might have been employed to put the finishing touches on the scenes. For the most part, the Chinese artists’ intense interest in retaining all of the details and their focus on accuracy dictated the final outcome of the factory paintings—not templates.
There is no doubt that templates were used on three-dimensional objects such as hong bowls; less attention was paid to maintaining accuracy on porcelain objects. The factory scenes on some bowls that were examined were fairly reliable and could be dated to one year. The scenes on other hong bowls, however, were a mixture of several years. They clearly had a different function in the homes of the buyers than was the case with paintings. Hong bowls were not intended to be appreciated and studied in quite the same way as paintings.
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