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This volume of Bach Perspectives presents five essays that investigate topics surrounding Johann Sebastian Bach and his five most musically gifted sons arising from two marriages. The diverse subjects treated here are approached by each author with distinctive and, in a few cases, alternative or interdisciplinary methodologies. Several broad topics recur throughout the volume, including organology, performance practice, the (un)reliability of anecdotal evidence, and recent musical discoveries that provide new perspectives on older themes.
Robert Marshall, whose essay opens the volume, takes on a deeply psychological perspective by examining how Wilhelm Friedemann, Carl Philipp Emanuel, Johann Gottfried Bernhard, Johann Christoph Friedrich, and the youngest, Johann Christian—who, in “killing Sebastian,” went even further than the rest of his siblings by rejecting his father’s very religion—personally dealt with Sebastian’s imposing legacy and succeeded in creating a style of their own. Marshall questions previous literature’s failure to address (or, rather, its propensity to ignore) certain, sometimes troubling, aspects of Sebastian’s relationships with his sons.
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