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The Lun Hop Company The Lun Hop Company
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Guan Yinglian and Yangzhou Mei Guan Yinglian and Yangzhou Mei
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Community, Slavery Charges, and Immigration Community, Slavery Charges, and Immigration
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Chinese New Year and Prominent Warrior Roles Chinese New Year and Prominent Warrior Roles
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Response to a New Rivalry Response to a New Rivalry
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The Joint Investiture and Other Attractions The Joint Investiture and Other Attractions
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Growing and Putting Down Roots Growing and Putting Down Roots
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Huang Xiaofeng, Print Culture, and an Anthology Huang Xiaofeng, Print Culture, and an Anthology
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A Grand Opening and the Canton–Hong Kong Strike A Grand Opening and the Canton–Hong Kong Strike
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Bai Jurong and Other Stars Bai Jurong and Other Stars
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7 From Lun On and Lun Hop to the Great China Theater, 1922–1925
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Published:January 2017
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Abstract
In 1922, the Lun On troupe arrived in Seattle from Canada. It was quickly joined by other Cantonese opera groups moving across national borders, creating a network spanning the hemisphere from Vancouver to Los Angeles, New York, Havana, Mexico City, Mexicali, and even Lima, Peru. Through detailed primary source analysis Rao describes the financial and artistic accomplishments of these troupes even as they faced stigmatism and resistance from anti-Chinese organizations and exclusionary immigration policies. The interaction between the opera troupe/performers and local community was lively, reflected by the ritual practice, the publication of anthology for amateur, the opening of new theater, fund-raising performances, etc. In addition the chapter chronicles a series of distinctive actors, actresses and playwrights, as well as their signature repertoire that became most popular during this time.
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