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I deeply appreciate all the support I have received over the years in completing this project. I am indebted to Brigitte Peucker, from whose teaching my idea for this book first arose, for her feedback on my writing and for her valuable professional assistance and advice. I am grateful to Katie Trumpener for reading my work and giving me much needed encouragement at a crucial stage in this project. My gratitude also goes to Lutz Koepnick and Marc Silberman, who provided very useful commentary on my manuscript, and to Katerina Clark for reading an earlier version of my text. I give my thanks to Lorna Martens for her mentorship, and to Johannes Evelein, Hector Amaya, Jeffrey Grossman, Volker Kaiser, and Andrea Press for their professional support. I would also like to acknowledge Gertrud Koch, who enabled me to spend a year at the Freie Universität Berlin, as well as Noa Steimatsky for first inspiring my interest in melodrama. I am grateful to Daniel Nasset at the University of Illinois Press for his support of this project and his always helpful and efficient editorial work.
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