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Experienced travelers often begin and end their journeys in museums. Art objects from distant lands may also end their journeys in museums, where they have moved from the center stage of rituals, sanctuaries, and artists’ workshops to the shelves of storerooms. This book had to be written at a journey’s end, a journey that started in the dusty plazas of African villages and cramped urban art studios. Part of the fascination of museums is their apparent stability as islands in a sea of change. In fact, however, museums mime the changes occurring in the communities surrounding them, opening and closing their doors as new eras begin. This book is a reflection and a documentation of these journeys and changes. It may be read as a sequel to Bennetta Jules-Rosette’s Black Paris studies, in which she curated writers, artists, and performers, or as an extension of her work on art and technology in Africa. It is also a collaborative venture in which J.R. Osborn introduces new platforms for the study of African art.
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