
Published online:
14 September 2011
Published in print:
15 December 2006
Online ISBN:
9780813134710
Print ISBN:
9780813124148
Contents
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Innocence, Purity, and Whiteness Innocence, Purity, and Whiteness
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The Princess, the Cold War, and Containment The Princess, the Cold War, and Containment
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Chapter
Two White-Painted Lady: The 1950s Celluloid Princess
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Pages
61–86
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Published:December 2006
Cite
Marubbio, M. Elise, 'White-Painted Lady: The 1950s Celluloid Princess', Killing the Indian Maiden: Images of Native American Women in Film (Lexington, KY , 2006; online edn, Kentucky Scholarship Online, 14 Sept. 2011), https://doi.org/10.5810/kentucky/9780813124148.003.0003, accessed 23 Apr. 2025.
Abstract
This chapter discusses the Celluloid Princess during the 1950s. She is now depicted as a beautiful young maiden who embraces the white hero and symbolizes the best of Indian culture and the possibility of assimilation into western European culture. Another similar character during this time is the Celluloid Indian Princess who aligns herself with a European American colonizer and dies for that choice. Unlike her earlier counterparts, the Celluloid Princess of the 1950s worked within the pro-Indian westerns as an index of liberalism, racial integration, and cultural pluralism.
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