
Published online:
20 May 2021
Published in print:
30 November 2020
Online ISBN:
9781800341487
Print ISBN:
9781949979299
Contents
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War Dance War Dance
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Bad Reviews Bad Reviews
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Edgell Rickword: Lovers on the Left Edgell Rickword: Lovers on the Left
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The Hours Press and Other Anthologies: Cross-racial, Internationalist Documentaries of the Thirties The Hours Press and Other Anthologies: Cross-racial, Internationalist Documentaries of the Thirties
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A Poet First A Poet First
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Chapter
One The Cunard Line: A Poet’s Progress, 1925
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Pages
23–48
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Published:November 2020
Cite
Marcus, Jane, and Jean Mills, 'The Cunard Line: A Poet’s Progress, 1925', in Jean Mills (ed.), Nancy Cunard: Perfect Stranger (Liverpool , 2020; online edn, Liverpool Scholarship Online, 20 May 2021), https://doi.org/10.3828/liverpool/9781949979299.003.0003, accessed 27 Apr. 2025.
Abstract
The chapter investigates Cunard’s identity as a poet, the challenges she faced as a woman poet, and the early publications of Outlaws (1921), Sublunary (1923), and Poems (Two) (1925). Marcus also explores Cunard’s involvement with the anti-war poetry anthology Wheels, her founding of The Hours Press, and the reception of her work by a male-dominated press. The author also discusses the early impetus behind her collection Negro Anthology and her political activism during the Spanish Civil War on behalf of poets from Harlem, Cuba, and The West Indies.
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