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Today, it is very rare to find any critical study of Edgar Allen Poe concentrating on his alcoholism and personal problems as opposed to serious evaluation of his work and current place in American literature. In 1956, BBC TV ran a series of short plays, Nom de Plume, focusing on the lives of authors whose identity was only revealed at the end. Directed by Michel Elliot, one now-lost episode featured John Cairney as Eddie (aka Edgar Allan Poe) and focused on his mental decline, alcoholism, and drug-induced fantasies. As Stephen Prince once remarked to me over one such biography concentrating on Peckinpah’s excesses rather than achievements, it is remarkable that he had any time to direct his films at all. Now attention has moved away from distracting and problematic aspects of Poe’s personal life, it is likewise time to focus exclusively on what Peckinpah did achieve. This means employing other types of methodologies evaluating his work in terms of cinematic style and relationship to his socio-historical era.
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