
Contents
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Three Weeks in May Three Weeks in May
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Mapping Rape Mapping Rape
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“She Who Would Fly” “She Who Would Fly”
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Entr’acte Entr’acte
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In Mourning and in Rage In Mourning and in Rage
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Ariadne: A Social Art Network Ariadne: A Social Art Network
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From Reverence to Rape to Respect From Reverence to Rape to Respect
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Take Back the Night Take Back the Night
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Cite
Abstract
This chapter discusses Lacy's singular and later collaborative efforts with Leslie Labowitz in addressing the politics of rape in the urban stage. The latter was the larger context of Lacy's travels between two of her large-scale projects on making rape visible—Three Weeks in May and In Mourning and in Rage. Media sensationalism, Lacy felt, had obscured the pertinent issues rape. Much of her 1977 artistic dialogues sought to portray rape as that which must be accorded with due respect rather than exploitation. Lacy's efforts had coincided with the rising wave of feminism during the 1970s; and during this period she had begun to “scale up” her artistic works—by first creating “performance structures” where people could listen to each other, then by making these conversations as visible as possible, and finally, by keeping these dialogues focused on action.
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