
Published online:
24 August 2015
Published in print:
01 November 2014
Online ISBN:
9781452949031
Print ISBN:
9780816687237
Contents
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Riegl’s Paradigm Riegl’s Paradigm
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Neue Sachlichkeit, Neue Optik, and the Problem of Facture Neue Sachlichkeit, Neue Optik, and the Problem of Facture
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Tactile Education Tactile Education
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Tactile Theory for Fabric Tactile Theory for Fabric
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The Photographic Mediation of Textiles: The Optical Mediation of Tactility The Photographic Mediation of Textiles: The Optical Mediation of Tactility
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Chapter
3 The Haptics of Optics: Weaving and Photography
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Pages
79–110
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Published:November 2014
Cite
Smith, T’ai, 'The Haptics of Optics: Weaving and Photography', Bauhaus Weaving Theory: From Feminine Craft to Mode of Design (Minneapolis, MN , 2014; online edn, Minnesota Scholarship Online, 24 Aug. 2015), https://doi.org/10.5749/minnesota/9780816687237.003.0003, accessed 22 Apr. 2025.
Abstract
Drawing on László Moholy-Nagy’s arguments regarding the “optical” nature of photography, weaving student Otti Berger developed a complimentary theory of tactility as it pertained to weaving and fabric. While close-up photographs of Bauhaus textiles in magazines and brochures worked to sell the workshop’s products, Berger reflected on the simultaneous visuality and “hold-ability” (Haltbarkeit) of the woven medium.
Subject
Arts and Humanities
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