
Published online:
20 March 2014
Published in print:
19 December 2011
Online ISBN:
9781617031571
Print ISBN:
9781617031564
Contents
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What Did I Do (To Be So Black and Blue)? What Did I Do (To Be So Black and Blue)?
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Sitting on Top of the World Sitting on Top of the World
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Concrete Jungle Concrete Jungle
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Jungle Boogie Jungle Boogie
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Liberty Hall Liberty Hall
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Home to Harlem Home to Harlem
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Cross Road Blues Cross Road Blues
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A Strong Brown God A Strong Brown God
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Crazy Blues Crazy Blues
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Black and Tan Fantasy Black and Tan Fantasy
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Notes Notes
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Chapter
It Don’t Mean a Thing: The Blues Mask of Modernism
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Published:December 2011
Cite
Young, Kevin, 'It Don’t Mean a Thing: The Blues Mask of Modernism', in Charlotte Pence (ed.), The Poetics of American Song Lyrics (Jackson, MS , 2011; online edn, Mississippi Scholarship Online, 20 Mar. 2014), https://doi.org/10.14325/mississippi/9781617031564.003.0005, accessed 20 Apr. 2025.
Abstract
The rise of modernism coincided with the emergence and reach of the blues. This chapter explores the influence of blues music on modernism, focusing on the importance, intricacies, and intimacies of Harlem or New Negro Renaissance. It argues that the achievement of African American writers (and sculptors and artists) should be considered one of the heights of modernism. The chapter also comments on the recent disregard heaped upon the notion of Africa as a popular theme in the Harlem Renaissance and how this attitude denies the power of place in the black imagination.
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