
Contents
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The Artist in the Archive The Artist in the Archive
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Working through the Father Working through the Father
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Drawing the Boy on the Bed Drawing the Boy on the Bed
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The Missing Boyfriend The Missing Boyfriend
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What Comes after the Truck What Comes after the Truck
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Notes Notes
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Works Cited Works Cited
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Inside The Archives of Fun Home
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Published:December 2019
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Abstract
For Alison Bechdel, autobiography and biography were twinned in drafting her groundbreaking queer graphic memoir Fun Home. She recognized that unless she could write the story of the father who defined her childhood and adolescence, she could not create the narrative of her own queer becoming. The archives for Fun Home, part of the Alison Bechdel collection held by Smith College, offer unparalleled access to her creative process and to Bechdel’s struggle to understand her father’s sexuality in relation to her own in order to write a queer family history that could include them both. This chapter proposes that Bechdel’s autobiographical subject is constituted through recurring writing strategies that try to inhabit her father’s consciousness, first through entering his language by transcribing his letters to her at college, and later, toward the end of her lengthy drafting process, by drawing father and daughter as mirror images of each other.
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