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Punk’s Avant-Garde Genealogy and the End of the Sixties Dream Punk’s Avant-Garde Genealogy and the End of the Sixties Dream
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Experimental Visions of American Music in Black and White Experimental Visions of American Music in Black and White
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Paradoxical Criticisms of the Music Industry Paradoxical Criticisms of the Music Industry
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American Connections of Dada and Punk American Connections of Dada and Punk
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Noise Experiments and Suburbia Noise Experiments and Suburbia
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Whiteness and Avant-Garde Critique Whiteness and Avant-Garde Critique
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3 “Ignorance of Your Culture Is Not Considered Cool”: Reconsidering the Avant-Garde Impulse in American Punk
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Published:November 2020
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Abstract
This chapter reconsiders the role of American rock experimentalists such as Captain Beefheart, DEVO, and the Residents in the formation of punk’s musical style. Although these musicians are often referenced in punk histories, their contributions are typically misunderstood because of an anachronistic focus on the British punk scene of 1977 as punk’s starting point. These musicians used avant-garde approaches to American popular music and vernacular culture in order to tackle American music’s unacknowledged and whitewashed history, including such controversial practices as blackface minstrelsy, as well as the problems of white suburbia, the war in Vietnam, the failures of hippie idealism, and a frustration with both mainstream American culture and the counterculture.
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