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Volume 105, Issue 1, February 2024
Articles
The World of Sound as a Prison: Ideal and Actual Concepts of Music in the Writings of Huldrych Zwingli
Music and Letters, Volume 105, Issue 1, February 2024, Pages 1–26, https://doi.org/10.1093/ml/gcad086
Songs at the Docks: Nicolas-Claude Fabri de Peiresc and Musical Entanglements in Seventeenth-Century Marseille
Music and Letters, Volume 105, Issue 1, February 2024, Pages 27–51, https://doi.org/10.1093/ml/gcad068
The Domestic Music Market and Musical Circulation in Two Late-Georgian Binders’ Volumes from the North-East of England
Music and Letters, Volume 105, Issue 1, February 2024, Pages 52–90, https://doi.org/10.1093/ml/gcad073
Not just a Fairy Tale: Parody, Late Fascism, and Ghedini’s ‘La pulce d’oro’ (1940)
Music and Letters, Volume 105, Issue 1, February 2024, Pages 91–116, https://doi.org/10.1093/ml/gcad085
Book Reviews
Music at Social Meals in Greek and Roman Antiquity: From the Archaic Period to the Age of Augustine. By Charles H. Cosgrove
Music and Letters, Volume 105, Issue 1, February 2024, Pages 117–119, https://doi.org/10.1093/ml/gcad074
Devotional Refrains in Medieval Latin Song. By Mary Channen Caldwell
Music and Letters, Volume 105, Issue 1, February 2024, Pages 119–120, https://doi.org/10.1093/ml/gcad080
Staging Euridice: Theatre, Sets, and Music in Late Renaissance Florence. By Tim Carter and Francesca Fantappiè
Music and Letters, Volume 105, Issue 1, February 2024, Pages 121–123, https://doi.org/10.1093/ml/gcad082
Bach in the World: Music, Society, and Representation in Bach’s Cantatas. By Markus Rathey
Music and Letters, Volume 105, Issue 1, February 2024, Pages 123–126, https://doi.org/10.1093/ml/gcad081
Ce que la musique fait à l’hypnose: Une relation spectaculaire au XIXe siècle. By Céline Frigau Manning
Music and Letters, Volume 105, Issue 1, February 2024, Pages 126–128, https://doi.org/10.1093/ml/gcad076
Singing the English: Britain in the French Musical Lowbrow, 1870–1904. By Hannah L. Scott
Music and Letters, Volume 105, Issue 1, February 2024, Pages 128–131, https://doi.org/10.1093/ml/gcad075
Delius and the Sound of Place. Daniel M. Grimley
Music and Letters, Volume 105, Issue 1, February 2024, Pages 131–133, https://doi.org/10.1093/ml/gcad079
Modes of Communication in Stravinsky’s Works: Sign and Expression. By Per Dahl
Music and Letters, Volume 105, Issue 1, February 2024, Pages 134–136, https://doi.org/10.1093/ml/gcad084
Claiming Wagner for France: Music and Politics in the Parisian Press, 1933–1944. By Rachel Orzech
Music and Letters, Volume 105, Issue 1, February 2024, Pages 136–138, https://doi.org/10.1093/ml/gcad078
West Side Story, Gypsy, and the Art of Broadway Orchestration. By Paul R. Laird
Music and Letters, Volume 105, Issue 1, February 2024, Pages 138–140, https://doi.org/10.1093/ml/gcad077
The Modern Brass Ensemble in Twentieth-Century Britain. By John Miller
Music and Letters, Volume 105, Issue 1, February 2024, Pages 140–142, https://doi.org/10.1093/ml/gcad083
Index
Instructions to Authors
Music and Letters, Volume 105, Issue 1, February 2024, Pages 143–144, https://doi.org/10.1093/ml/gcae003
‘Music & Letters’ Awards
Music and Letters, Volume 105, Issue 1, February 2024, Page 145, https://doi.org/10.1093/ml/gcae005
Authors of articles in this Issue
Music and Letters, Volume 105, Issue 1, February 2024, Pages 146–147, https://doi.org/10.1093/ml/gcae006
Recent Titles
Music and Letters, Volume 105, Issue 1, February 2024, Pages 148–151, https://doi.org/10.1093/ml/gcae004
