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Book cover for Phonopoetics: The Making of Early Literary Recordings Phonopoetics: The Making of Early Literary Recordings
Jason Camlot
https://doi.org/10.11126/stanford/9781503605213.001.0001
Published online:
19 September 2019
Published in print:
11 June 2019
Online ISBN:
9781503609716
Print ISBN:
9781503605213

Contents

Book cover for Phonopoetics: The Making of Early Literary Recordings Phonopoetics: The Making of Early Literary Recordings
Jason Camlot
Front Matter

Figures and Table

https://doi.org/10.11126/stanford/9781503605213.002.0006
Pages
xi–xii
  • Published:
    June 2019
Subject
Literary Theory and Cultural Studies

Figures

1.

Advertisement for “The Reginaphone”  40

2.

Advertisement from 1898, in which The Gramophone speaks a riddle  41

3.

Robert J. Wildhack cartoon illustrating “Snores” and “Sneezes”  49

4.

Photograph of Victrola used in classroom teaching  95

5.

Catalogue pages depicting William Sterling Battis “Dickens Man” recordings  96

6.

Record catalogue description of “A Dramatic Recitation by Rose Coghlan”  121

7.

Praat interval annotation showing tremor and prolongation pitch contours in Lewis Waller’s recitation of “The Charge of the Light Brigade”  128

8.

Praat interval annotation showing tremor and prolongation pitch contours in Canon Fleming’s recitation of “The Charge of the Light Brigade”  129

9.

Praat interval annotation showing tremor and prolongation pitch contours in Henry Ainley’s recitation of “The Charge of the Light Brigade”  130

10.

Detail depicting “degrees of force” in vocal expression  132

11.

Chart depicting vocal force, form, and quality  133

12.

 Praat interval annotation showing pitch contours in Henry Ainley’s delivery of the words “he said”  134

13.

Multitrack comparison of wave forms, T. S. Eliot reading “The Burial of the Dead”  145

14.

Praat annotated visualization of Robert Speaight reading “Death by Water”  163

15.

Praat annotated visualization of T. S. Eliot reading “Death by Water”  164

16.

Praat annotated visualization of T. S. Eliot reading “Burial of the Dead” depicting “excessive intonation curves”  165

17.

Praat annotated visualization of T. S. Eliot reading “Burial of the Dead” depicting “truncated intonation curves”  166

Table

T. S. Eliot’s multiple 1933 instantaneous disc recordings of The Waste Land  143

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