
Contents
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The Biographia Literaria and Proprioceptive Self-Possession The Biographia Literaria and Proprioceptive Self-Possession
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Tactics for Readerly Self-Possession: “The Sailor’s Mother” Tactics for Readerly Self-Possession: “The Sailor’s Mother”
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On Bearing to Be Moved On Bearing to Be Moved
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Consolation and Counterpoint Consolation and Counterpoint
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Conclusion Conclusion
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Cite
Abstract
This chapter reveals Coleridge’s later frustrations with Wordsworth’s lyrical ballads to depend on a metaphysical dilemma: by 1817’s Biographia Literaria, Coleridge has come to disagree with the materialist morality that would justify Wordsworth’s prosaic verse. Declaring that metrical irregularity and flat diction feel like tripping down stairs in the dark, Coleridge claims that poetry should make readers feel a perfect coincidence of bodily balance and self-conscious self-control. Retracing Coleridge’s steps as he attempts to achieve such equipoise in his critique of Wordsworth’s “The Sailor’s Mother” (1807), I show how disappointed reading becomes the affective measure by which Wordsworth’s poem fails to model self-restraint as a (properly Spinozist, in Coleridge’s view) means of preserving the power and integrity of other people. What Coleridge wants from Wordsworth instead, I conclude, is akin to the transformative recitation of The Prelude that Coleridge immortalizes in “To William Wordsworth” (1807).
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