
Contents
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Designer Productions Designer Productions
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Lopukhov's 1922–23 Staging Lopukhov's 1922–23 Staging
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The Paths of a Soviet Balletmaster The Paths of a Soviet Balletmaster
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The Magnificence of the Universe The Magnificence of the Universe
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Modernizing the Ballet Modernizing the Ballet
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The Problem with Pantomime The Problem with Pantomime
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1952: Sergeyev 1952: Sergeyev
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4 Red Auroras (The Soviet Ballet in Practice)
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Published:April 2004
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Abstract
This chapter tracks the history of the modernization of ballet from its Imperial roots. The conservatism of Soviet arts bureaucrats guaranteed the survival of Sleeping Beauty, and also explored the reworking of it along with three operas: Meyerbeer's Le Prophète and Les Huguenots, and Wagner's Rienzi in order to address the problem of revolutionary opera in the 1924/25 season. The committee then commissioned Nikolai Glebovich Vinogradov, head of the Studio of Monumental Theater, to rewrite the librettos of the four promising works. Vinogradov's version of Sleeping Beauty, however, was never performed on-stage, but its loss did not hinder the future direction of Soviet ballet. This direction was towards its obsession with story. This fascination with narrative culminated in the creation of a new, uniquely Soviet dance genre in the 1930s, the “drambalet” or the merging of both “drama” and “ballet.”
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